do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù>love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù >love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

eijajei - aye ya yay! this is a hit record! but what else would you expect when two of berlins hottest dj and producers, guido schneider and jens bond, are working together!? following the duos major success on pokerflat in 2004, we have managed to get the two of them back together for this exclusive release on highgrade. the results are well worth it. >getting sleepy< pulls us comfortably into the musical world of jens bond and guido schneider. without being obvious, and certainly not lazy, the track reclines into a laid back groove that hooks straight into the rhythm, creating a perfect atmosphere for the psychedelic vocals and hypnotic groove. you wont be able to escape the mood, making this the perfect techno weapon for the late night hours. we like! >eijeijei< is the highlight of the record: warm drums, siren like vocals, the whole thing seems to come from a long way away with incredibly smooth beats which make this track so special. maybe this is the sound of a table dance bar in the jungle? its incredibly sexy in any case

this is the first release of aoki takamasa on raster-noton.
aoki was born 1976 in osaka and is presently resident in berlin, germany. he has been releasing music since 2001 and ever since has been reviewing his personal methodology whilst actively creating sounds based mainly on computer/software. aoki is an energetic artist vigorously expanding the limits of original musical expression. he enthusiastically pursues an expansive variety of techniques of expression via a broad array of software and hardware. the rhythm and groove created by driving the cpu to the max may seem extreme. however, the respect and the inquiring mind to the root existence of the art expression of music keeps flowing incessantly.

played by luciano, laurent garnier, timo maas, d julz, bart skills and more!
polytone remains in deep territories and has signed two of the most exciting tracks of drei farben house (brut!) so far. on final call the berlin resident succeeds in building a bridge between minimal aesthetics and the musicality of deep house which has rarely been heard in this form. in this 8-minute track a whole series of musical themes are flashing yet held together by a lot of instinctive feeling. on looking back to control drei farben house is just as deep and melodically interesting and again relies on unusual track structures. in his remix matthias vogt from motorcitysoul works out the chords and melody themes of the original even more and turns final call into an exciting, swelling affair whereas newcomer baldo (dubhe) transforms the original track into a brilliant and wonderfully classic piece of dubtechno.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

>realtime art< - that s how blackisbeautiful call their electronic music art. an analogue idea within the digital age. inspired by the aesthetics of analogue music devices, the first album of the dortmund-based producer team will be released in september via the upcoming cologne-based techno label 200. blackisbeautiful partnered up at the vrstck club in dortmund two years ago. they bonded through their deep connection to analogue art. residency atvrstck and a musical and friendly collaboration were to follow. both look back at long-term musicianship and life experience. while tim dicke paved his way into the electronic scene through being a drummer, bassist and soloartist in punk and hardcore bands and later on as dj, Ümit han quickly moved from djing to producing his own tracks. in 2006, Ümit won the remix contest to gabriel anandas >glücksmelodie< and also released tracks on karmarouge, meerestief, harthouse and other labels. blackisbeautiful created two tracks in real handicraft with alerion and purpur: mesmerizing and enthralling at the same time! music that invites you to dance and yet puts you to rest for a closer listen. attention to detail and experiment-happiness get you addicted to blackisbeautiful: occasional street recordings of sounds in everyday life and sampling of snap-shots run through their dynamic sound images.

ltd edition white vinyl in shrinkwrapped sleeve !!! big with: nick curly, martin landsky, agnes, lauhaus, gorge, moodymanc, markus fix, kabale und liebe, einzelkind, meat, motorcitysoul, milton jackson, brothers vibe, x-press 2, ekkohaus, kreon, brendon moeller, alex flitsch, willie graff,.. the tsuba colours series continues with the debut tsuba release from londoners ethyl & huxley with the >white ep<. like all tsuba colours releases each 12 inch is on coloured vinyl (this time white), shrinkwrapped and strictly limited to 500 copies. for relative newcomers with just one release on cecille to date, ethyl & huxley have a depth to their sound way beyond their years. a side >haiku da niente< is like all good deep house used to be – soulful, musical and gently hypnotic without a cliched key in sight. >mother tongue< has the vibe of an old skool masters at work track and the ep closes with the more up tempo >carte blanche<.

two more tracks from the much anticipated italoboyz full length cd >bla bla bla<. those of you familiar with italoboyz music will be aware of its roots in the fusion of organic with electronic sounds and the collision of genres as varied as jazz, opera and folk with what we traditionally know as house and techno. >techno tower< and >chinese< are a real testament to the italoboyz musical roots and will surely turn some heads on the dancefloor.

marcus sur lives 30 minutes from cologne in essen and has recorded for several labels in the past like pottheads with whom he reached no 1 in the dcc charts with his >stop the junk< release. his latest tracks were released on highgrade and keno records. marcus sur played bass in a band but stopped in the 90ies to get involved in djing which lead to famous residencies in clubs such as >rote liebe< and >baikonur< where he was also responsible for the musical programme. with his release >down with the ship< on trapez ltd he shows his love for minimal music. his definition of minimal though has more in common with robert hood than with recent developments due to the fact that his love for rare groove and deep house music has been part of his life. his 2 track vinyl is authentic and cool and speaks the language of the coal mining district in germany, the ruhrpott. house music has always been big there and lead to the founding of one of the first house distributers in germany, ntt . marcus sur is momentarily resident at the gold club in essen where he will celebrate his release on the trapez label night (26th of september)

duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

young and talented boris brejcha has a long musical history. he was trained in playing drums and keyboard at his childhood which had been a perfect school for the following chapter - producing electronic dance music. his sense of humour resonates in his productions as well as his predilection for unconventional sounds. he started showing his talent at several stages and online labels which lead him to harthouse mannheim. now he shows the ropes to his audience with his first vinyl ep and you hear him grin because he knows what hes doing. attention please

big with: luciano, laurent garnier, anja schneider, lauhaus, lee curtiss, slam, jimpster, federico molinari, dyed soundorom, clive henry, sasse, burnski, kiki, rob mello, italoboyz ...
>crewcuts & curls< is the greatest collection of prime productions yet from wales hottest new export, tomdemac. vibrant and dynamic, >crewcuts & curls< engages the listener in the moment. drawing you in with its tauntingvocal, demac creates a youthful sound that is masterfully produced, the product of a gifted musical mind. sweet humming is the haunting close, gradually filling the speakers with deep and prolific doses of swinging chicago-inspired house to create a whirling and effervescent creature. this is the third and most striking package that tom demac has produced for murmur.

subfossils music can be defined as being both deep and musical trying to give his tracks twists and turns from beginning to end. daniel ramm is a real teutonian perfectionist, each sound has been clearly defined in every nuance.munich native roland appel delivers the cant get no sleep remix - a solid floor filler with emotional outbursts typical of his production style!

andres is releasing an ep on kalk pets featuring three different versions of his track >ballad<. now if you re associating melancholy and a thousand tears with that title, you ll be taught better by the track itself. for this particular ballad is full of positive energies and sings anything but the blues.
uwe senor coconut schmidt aka atom polishes the >ballad<-track with additional beats and insightful words and turns it into a real disco-pop wingding: >this song is not about sex / it s about music / because music is better than pussy.< the minds are shaking. he has proved his sense for slant humour already before on his album >liedgut<.
another potential hit is the remix by john keys & los updates. >los updates< being jorge gonzales, who has contributed the vocals. having played in a popular band called >los prisoneros<, he is a celebrated popstar in south america, and, amongst other things, has been participating as a singer in the last album by >sieg über die sonne<. a finely lascivious party-mix. john keys aka dandy jack & andres garcia are responsible for the musical part. file under powerpop and emotronic.
playful sounds keeping the stroke of a ping-pong game and sure to keep your body high-spirited.

autodiscotheque return with a mighty release by one of their favourite maverick producers and djs danny berman. with releases on tirk, untracked, deep freeze and society, danny has made a big impression with his mixed up approach to production and djing. from the wonky house of the hot coins material released on tirk, to the more classically detroit outings under his red rackem moniker, danny is a music lover with an ear for the not so obvious and the left of centre musical territory.on this release which features both his musical personas simultaneously, the idea was to truly represent the difference between the red rackem and hot coins sounds on a single release, and to recreate an intense peak time feeling, but to do it from these two completely different scenes.place for me is detroit inspired heads down, cut up motown soul business, which pays homage to one of dannys favourite producers moodymann, and fits perfectly into that crossover space between slo-mo house and disco. chinese electro on the flip however, references that authentic early 80s new wave electro sound, and is influenced by yellow magic orchestra and recordings from new wave radio shows like belgiums liaison dangereuses

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions. while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way. for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well

following on from last years critically acclaimed my occupation compilation on tirk recordings witch featured the best of chaz jankels club orientated output i come alive is a gorgeous summertime house tune constructed and executed by one of the uks greatest musical talents.i come alive features vocal contributions from natalia scott (mc tali), also included in this oustanding package is a storming remix on the b side from yam who?

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

slow motion operates since 2005 as an event organization collective in the field of electronic music, club installation, visual art and disco dancing. originally based in mid-italy, it is now also one of the freshest and active organization in the berlin night scene. the heads behind slow motion are a crew of friends from pescara/chieti with the same taste of music and many different ideas, which they bring together to form a unique musical atmosphere. the next exciting step for 2009 is the launch of slow motion recording as a platform to release italian and international electronic dance music. slow motion exists to create new affairs in all sorts of electronicmusiculture!

the third in struts inspiration information studio collaboration series brings together an intriguing pairing between one of africas great bandleaders, mulatu astatke, with the next level musicianship of the heliocentrics collective from the mighty roster of stones throw / now again. known primarily through the successful ethiopiques album series and the film soundtrack to jim jarmuschs ?broken flowers, mulatu astatke is one of ethiopias foremost musical ambassadors. his selfstyled ethio-jazz sound flourished during the swinging addisÑ era of the late 60s as he successfully fused western jazz and funk with traditional ethiopian folk melodies. the heliocentrics have become known as one of the uks foremost free-thinking collectives of musicians, inspired by a wide palette covering sun ra, james brown, david axelrod and all manner of psych, afro and eastern sounds. the collective have featured on records by madlib and dj shadow. now a fixture within the stones throw / now again roster, they forged their own genre-breaking directions in the astral analogue groove on their 2007 debut album, out there. a number of tour dates around the release and headline slots at festivals throughout 2009 have been confirmed.

sebastien leger continues on a slightly more techie approach with another fantastic two tracker you could well see in the boxes of both eric prydz and adam beyer. sebatiens new sound has a fantastic cross genre appeal, with his super-funky cool grooves tight rolling percussion, and intense breaks. this multi-talented producer is really starting to flex his musical muscles. expect huge dj support and continued radio plays.

played by: ricardo villalobos, sis, nick curly, anthony collins, chris tietjen, robert dietz, markus fix and many more !!! a resident of the respected mono club night, felix neumann is one of those producers that live music on a 24/7 basis and his productions just keep on coming and growing. we are very happy to have this talented 21 year old in our artist family. the title track put it back is a fresh sound affair and a guaranteed club banger, as tested by most of the mitu family djs. the pumping groove will keep the crowd on its toes and the pinching vocals will have them asking for more. rough is a track that could almost be described by its title alone. it is a steady and solid track that showcases felix s versatile approach to music. that versatility extends to the first b side track. acento is an elegant musical exercise where house, percussion and jazz harmoniously fuse into a track with a strong dance appeal. the last track on this release brings out a heavy-deep-bass vibe. chemal will make your head nod and your body get loose, without you knowing how it all happened.

soniculture welcomes a new artist to the family. bernard siefert, betterknown as nhar is known for his releases on labels such as mobilee, meerestief, plak and modelisme. his hypnotic sound is unique, adding at the same time fine tuned melodies and vocals, in this way, enriching the whole musical experience. with this release, nhar shows us a bit more energy, keeping the soul and exploring the feelings that characterize his productions, but making us dance even more than usual. this is an amazing piece of work from one of the most original producers of the new french techno scene. the a side begins with >derceto<, a very modern techno track but with an old school touch and an outstanding percussion arrangement. the hypnotic bassline is strong and involving and the vocals make it dirty, when needed. thinkfreak closes this side with a powerful remix, taking the energy to higher levels and making it a dance floor slammer for the craziest moments of the night (or day). with >owls are not what they seem<, nharshows us how hypnotic he can be. the track is filled with sophistication andthe production details are exquisite. this is electronic dance music at itsbest. dalessandro & expander present a version of >owls are not what theyseem< that is sexy and groovy and is for sure perfect for that special afterhour moment or simply when there is a special need for love.

played by adam beyer, dave clarke, josh wink, dj hell, dubfire, renato cohen, paer grindvik ...
a true home for playful experimentation and a place for real fun to be had, figure spc proudly raises its hat to the latest dose of musical mindplay on offer. after the sensational trip that was his >vapors< 12 inch on len fakis figure label last year, the inimitable savas pascalidis returns with four unique club burners that are guaranteedhotter than the sun! >positive force< throws us right into the party, introducing the bold, gutsy vibe of the ep with this sinister synthethiser jam. using only a handful of elements to tell the tale, an addictive bassline and a psycho-disco groove throw energy all over the place in this recklessmonster.

a mountain of one are now set to release bones, the first single to be lifted from their album institute of joy. its a thrilling musical voyage, driven by one of zebens best vocals to date.the track is set to be backed with a brilliant remix package including new yorks house of house, the duo behind the huge, anthemic rushing to paradise, and way of the ancients, thomas bullocks (map of africa, rub-n-tug).

tony nwachukwu is a pioneer and his musical roots go way back. he was the mastermind behind attica blues on the legendary mo wax label and has produced wonderful music which is still timeless. remixes for people like unkle, macy gray and even duran duran prove how incredible he is. at the red bull music academy he teaches his skills to young talented producers and has established an interesting night at londons plastic people called cdr where they only play unreleased music. cdr has also worldwide events. with burnt progress he gives young producers the chance to release their music on his label. his first ep for drumpoet is championing his big love for techno(logy) and equipment in general and underlines the great musical knowledge and open-mindedness of this forgotten legend he is! the ep has already huge support from some of the best djs around and the quality of all three tracks whether it is the detroit-ish t time too the twisted outta ere or the broken flowin is impossible to ignore!

xerrox vol. 2 undertakes an intense journey and affords the luxury to take its time. &#8233,,while xerrox vol. 1 (r-n 78) referred to the old world with its tradition deeply rooted in classical music, xerrox vol. 2 tries to access a new world . it works with samples that have been gathered and developed in the usa û the so-called new world û where the album also has almost completely been recorded.&#8233,,the dramatic and dynamic approach of xerrox vol. 1 on vol. 2 has been replaced by a structural density. instead of working with individual musical entities the new album rather develops an overall, linear aesthetic that refers to musical strategies of film music. hence there are no implicitly singular pieces, but open musical structures û a journey without a predetermined target.

syntax analyzer stands for research of hardtechno algorithms that picks >mushroom on the beach< by albert kraner with high density voltage for your brains. no need to mention mad man dariush gee with twisted tune >what s your fuckin point< that puts straight point with groovy and elastic beats for all you ravers. notorious motormorfoses on a flip with astonishingly musical >cataclisma system world< that will smash you away deep and solid. lastly noizbar, an evil genius of datablender movement, delivers you a tricky track called >separatist< that gives you a lift to your final destination.

in the summer of 1975 peter gathered his collective to record 5 compositions. the outcome was this great album ?the silver apple? heavily influenced by coltrane and his quartet, as well as by cecil taylor, maurice mcintyre, roswell rudd and many musical greats. it?s a monumental lp as it will take you back to a truly unique time of jazz in new york.

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

rock it is a full on dance floor assault thats fastly become the peoples anthem of 2009. already and permanent fixture with virtually every djs set within dnb and beyond, including the shows of zane lowe and annie mac. automatically recognisable with its half time intro, vocoder vocal hooks and lead line, you wouldnt be mistaken if you thought this tracks was talking to you. this has organic cross over appeal written all over it and we could definitely see some sort of national play list with this track on it.follow the light, is an awesome piece of musical production in its own right. this has become one of the most anticipated releases for ram records and sub focus since he debuted it nationally during his dj set at glastonbury that was broadcast live on radio 1. as such it soon become zane lowes hottest record in the world and has gained numerous plays radio wise since and has become a permanent fixture in the sets of dance musics a list djs worldwide.

after a number of successful eps with his musical partner nuno dos santos on compost black label (their release have been supportet by big names like joris voorn, richard dorfmeister, mijk van dijk, karotte, alex attias, dubfire) its time for tj kongs first solo release feat house legend from the very first hour, mr. elbee bad.

after the success of their collaboration with paul thomas on last years festival anthem >arena<, mark knight and funkagenda join forces once again on one of the most eagerly anticipated tracks showcased at this years miami wmc.
>good times< is the feel good anthem of the summer comprising of a modest intro with a warbling bass line driving slowly through collecting sounds, before opening up into an edgy synth stab and finally the insanely catchy vocal hook >these are the good times<! the track drops back in like a speeding locomotive train going full steam ahead, with cleverly placed percussion, fx and siren sounds soaring to create an intense rhythm.
on the flip, >flauta magica< shows the diversity of these two acclaimed producers when they get in the studio together. taking a different route from the lead track and concentrating more on the groove, >flauta magica< chugs along nicely with an almost tribal percussive feel to it. the excellent chanting vox sample, reminiscent of the early house sound, keeps the groove rolling along into the drop. taking the lead from the tracks name, a whistling flute riff drops elevating the musical vibe to a new balearic level.

hailing from adelaide, australia sonny foderas story is starting to gain momentum, having started producing music at a young age he has established himself as one of australias premier deep jackin house djs and producers, artist/remixer. having played along side the likes of chuck love, john larner, derrick carter, the littlemen, audio jack, james curd to name a few, sonny fodera is renowned for his consistently high quality dj sets. as a producer/remixer, sonny fodera continues to exploit his raw musical talents and ever expanding skills with this smokin new release on guest house!!!

nice price deal !!! from the deep dark cold depths of melbourne down and out disco suburbia comes the long-long awaited debut release from serial hitmaker, synth wiz, coffee addict and all rounddudebabe, gloves. fresh, from the titanic sinking of his former musical yacht, damn arms, and off the back of remixes for the likes of cut copy, vanshe, sneaky sound system, the deathset, the scare and ted & francis, gloves sails bright into the dance horizon with his first 2-track original release on banggang12s.

when two good friends share a passion and have the opportunity to collaborate to realize a dream, the results can only be promising. the dj duo >jacuzzi boys< which was founded in the beginning of 2007 by marc phillipp and florian settele stands for minimal deep beats with unique mixing skills and an exceptional performance. since mid 2009 both guys are located in the rhine-main area. with their first vinyl release >ramba zamba< on komplex audio in january 2009 the jacuzzi boys showed a small preview of their impressive musical talent. their next vinyl >check that body< on below brings a memorable killer, together with their buddy jens peters from the dj-collective >primitive visions<. b1 with the fluent vocals gives the impression to taste >guindillas< picantes. b2 is pure spanish percussion art with a relaxed attitude

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer/dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid musical tracks for electronic dancefloors. praia is taken from the forthcoming debut album evolution, (coming out september 09) and features the beautiful scat vocals of yu ka ueda flowing over an electronic jazz groove. add to that the virtuoso keyboard playing of makoto kuriya and live guitar from kazuhiko obata and you have a serious electro-jazz workout! if that isnt enough, the flipside sees karizma take the reigns as he gives the track his trademark stomp mix treatment, roughing up the smoothness and building up to a heavy drop, as only he knows how. the e.p. also contains the delicious album cut airport, an atmospheric and mellow groove sprinkled with beautiful keys and riding between the club and live vibe that signifies the rhythm of elements sound

following in the shadow of the jisco music reedit series comes a new home for original music. under the shade hopes to promote new and old talent groomed from the disco underground. first up is new boy chambochÚ growing up sandwiched between the coast and the valleys of coastal mid wales, nature was sams first love. this taste for the epic, organic passages has been fused with pop sensibilities from an 80s childhood to shape a unique musical outlook. regular dj appearances at nottinghams stealth combined with residencies at some of the most forward thinking electronic nights in the midlands saw him develop his taste for the groove. the hooks of producers such as todd terje, toby tobias, lindstrom and ?me soon began to take hold and turn his hand towards crafting slower, more melodic grooves. after completing a series of tracks, which caught the attention of gerd janson and mark e and then road tested with success at londons seminal plastic people û chambochÚ was signed to under the shade with a string of releases in the pipeline. with additonal strong remixes by production team of the moment the revenge and pete herbert this already got huge support from tim sweeney, gerd janson ( running back ) or the horse meat disco crew

limited backstock of this classic 1998 album by josh wink for his ovum imprint - a great showcase of his musical variety.

nice price deal !!! due to heavy demand we are releasing a limited 10inch of the martyns >electric purring< and the all night long version of sideshows >television< feat. cortney tidwell. >aus music…all night long< as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn… all night long

meck is everywhere a collaboration with madonna on her sticky & sweet tour using feels like home in a mashup with like a prayer. windmills sees meck take a slightly different musical direction here but no less dancefloor friendly

next up from the very eclectic rong music is an ep from coati mundi. coati mundi is better known as a founder member of kid creole & the coconuts & dr buzzards original savannah band and has worked with some truely amazing names tito puente, wyclef jean, grace jones, madonna, sly & robbie, the roots & mc shan to name a few. here we have a 3 track sampler from a forthcoming album project on rong music entitled >dancing for the cabana code in the land of boo-hoo< showcasing coati mundis very eclectic musical career. a must have piece of vinyl!

when the two colossi of the bearfunk label get together you can be sure that creative sparks will fire and the disco grooves will ooze. and so we present stevie koteys and max essas new project, the cunningly titled soiree. as a taster for the upcoming treats we are pleased to release a four track ep covering the musical bases that the london and tokyo based pair intend to cover. the theme from soiree announces arrival in a big way. disco grooves meets herbie hancock with lee ritenour tints. real drums from dave barbarossa, jazzer keys and some nifty fretwork from max. overgroomed slows things down to slo-mo speed and mixes japan/mick karn-esque fretless bass and layers of percussions and beats

boxon records is changing his style, trying a new kind of music, and staking on the >pop< genre, to give you fresh air for this summer. >y< is a new band in the boxon crew, the label from bordeaux. with a technical and wealthy musical past, >we are terrorists<, >daroc< and the bewitching >music automatic< are joining their respective talent and skills together for this project. >y< looks like it is a band which will revolutionize the image of the label?

detroit inspired bleeping techno ep. original cut brings back the accelerate synth bloop with modern pulse drums. damon wild kicks in the tight acid and xpansul makes this a big room summer hit. steve parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. counting on a long career as dj his style in a dj set goes from tech-house and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority